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🗃️ BaiHui Playlist 百會

Journey on the Surface
表面之旅


Yang Yu Chiao


︎零︎
Level Zero



Sergei Paradjanov, The Legend of Suram Fortress
The scene of the dance “How sweet is the water from the hands of a beloved”
謝爾蓋 · 帕拉傑諾夫，「蘇拉姆城堡的傳說」
跳舞的一幕 「從心愛的人手中得來的水是多麼甜蜜」





︎壹︎
Level One


Hans Richter, Dreams that Money can Buy
a Duchamp's fragment with music by John Cage
漢斯 · 李希特，「能用錢買到的夢」
由杜象主導的片段，音樂由約翰 · 凱吉擔綱





︎貳︎
Level Two



Alexander Alexeieff, Le Nez (the Nose)
亞歷山大 · 阿雷克塞耶夫，「鼻」





︎參︎
Level Three



Jan Lenica, Labyrinth
尚 · 連尼卡，「迷宮」





︎肆︎
Level Four



lam Lam larm
Music by calmwhiner and Folmer Sthurmovik, Video by Tanglokto
樂： calmwhiner、Folmer Sthurmovik，影像：鄧樂滔





︎伍︎
Level Five



Daniel Szczechura - Podróż (1970)
謝杰庫拉，「旅行」





︎陸︎
Level Six



Chris Marker, Troi Video Haikus
克里斯馬克，「三段錄像俳句」





︎柒︎
Level Seven




Lotte Reiniger, die Abenteuer des Prinzen Achmed
洛特·雷尼格，「阿赫邁德王子歷險記」





︎捌︎
Level Eight



Yuri Norstein, Tale of tales
尤裏 · 諾爾斯汀，「故事中的故事」





︎玖︎
Level Nine



Walerian Borowczyk, Les Jeux des Anges
瓦莱利安 · 博羅夫奇克，「天使的遊戲」




︎拾︎
Level Ten



László Moholy-Nagy, Ein Lichtspiel Schwarz Weiss Grau
拉兹洛 · 莫霍利 · 纳吉，「光影遊戲：黑、白、灰」





︎捲軸桿︎
Wooden Roller



Yamamura Koji, Perspektivenbox
山村浩二，「遠近法の箱」




This series of narrative or non-narrative videos represent the surface of the world in slow or instant manner. The WORLD has no interior, inside, or inmost region, but a rolling sheet which content phenomena forms a huge spiral structure. Through these videos, we clearly can see anything -- as the etymology of video is "videō"(I see) -- presented in an apparent way. We see, just like we walk, even into the inferno, Dante still walked "on" the surface. Ignoring the concept of "insight", but observing upon the sheet of the living, the plane of the time.

這系列的敘事性或非敘事性影像，以或緩或疾的手法展現世界的表面。世界並不具內側、內裏或深處，僅是一層現象之卷軸所構成的螺旋結構。透過這些影像，我們可清晰地看見——正如影像的語源「我見」——呈現出來的一切。我們看，一如我們走，就算走進地獄，但丁也還是走在表面「上」。我們且避開「洞悉」一詞，僅需沿著生活的薄紙，時間的平面來觀看（observe）。



☯ Yang Yu ChiaoYang Yu Chiao is a folktale narrator who has collected thousands of oral traditional folktales around the world. He studies the poetics and comparative analysis of folktales. As an oral storyteller and researcher of folktales, he holds many traditional narrating events in theaters, book stores and other independent performance spaces. He is also a professional translator of English-Japanese-Chinese and has participated in lots of international conferences or movie projects. He also wrote two books including tales inspired from oracle bone scripts.
☯ 楊雨樵楊雨樵，喜歡散步，喜歡樹的屍骨。現專職為口頭傳統民間譚的言說藝術表演者。致力於彙整各地的古代文字、神話譜系與民間譚，並自2014 年開始於全台各地開設「世界民間譚講座」。曾受聲樂訓練，以獨唱家身份自2007 開始與各大學合唱團及其他專業樂團合作演出，2015年於台中「溪流」空間表演《我好樂—－巴哈、普賽爾歌曲與西歐民間故事》。並與藝綻室內樂團合作，於台灣各地各級學校進行音樂教育的推廣與引薦。2017年以民間譚言說藝術表演者身份，與藝綻室內樂團合作演出《純粹。聽說》。創作部分，著有甲骨文異譚集：《藝》——字中事（2014），《易》——字中事（2016），與畫家陳澈合作出版版畫詩集《Counterpoint Archive》（2017），並創辦表面雜誌《COVER》（2017-）。

表面雜誌的預售網址





Network Neighborhood
網路上的芳鄰


Liou

Click your mouse to move slowly forward with the smallest possible increments. Pace your walk with sameness and regularity, as you extend the progression of time with every step, try to feel the subtle connection between virtual and real. Begin the journey from East Longitude 121° and N Lattitude 23.5° and browse through 10 sites of perpetual tranquility.

以滑鼠點擊最小單位的每一步緩慢前進， 徒步過程中均質、規律，在行走拉長時間的同時，也試圖感受實虛間的微妙關係。 從東經121°、北緯23.5°出發，瀏覽10處永晝寧靜之所。

☯ Liou
A neighborhood on the Internet that loves walking, surfs the internet during leisure time and fishes in the virtual sea for good and simple images and stories. Liou is also interested in film culture, contemporary photography and ecological video documentation.

網路上的某一位芳鄰，擅長走路，閒暇之餘網路衝浪，在虛擬大海中撈拾美好且純粹的影像與故事。同時也關注電影文化、當代攝影與生態影像記錄。



27.044216,-109.4515572

26.188478,-100.2653059

25.4239062,-114.5619988

24.6168968, -101.4129889

14.1332676, -16.0703134

14.1609428,-16.0650171

25.2070237,55.7316692

24.5101095,88.3168997

25.1582752,92.1009592

24.4696439,123.005845


Daily exercise
日常鍛煉


OHAU!


Q. How would you describe self-cultivation?

Self-cultivation -- daily reflexive acts
A workout -- actions that are done repeatedly in search of precision

Upon waking up, I sit in front of a water hose with a drowsy mind, intense light shines on my optic nerves and give the eye lens a beating. In this way my visionary muscles get a workout, and my facial nerves are stimulated.

My body is a vessel through which I explore this world; how can i play with it, operate it, there is so much that can be said; let us begin by beating the lens with a water hose.


Q. 形容你是怎麼看待「修行」這件事？

修行 - 每日的自然反射動作
鍛鍊 - 會一再重複進行的動作，以求一個精準。

醒來之後都會帶著不清醒的腦坐在水管前面，用激光殺殺視神經，揍揍水晶體。運用這樣的方式來鍛鍊視覺肌肉，還有刺激顏面神經。

身體作為探索這世界的載體，如何玩弄他，操作它，有太多想聊得了，只好先一起被水管揍揍水晶體吧。



☯ OHAU!
expertise is in manufacturing things of no market value. Producer of image and devices. Member of experimental band Sexy Little Young Pig.
專長無產值製造業 ／ 影像與裝置生產者 ／ 小嫩豬 Little Sexy Young Pig 團員之一。

Flesh under the arrow keys
方向鍵下的肉


Geometrical flesh
幾何化的肉


Transparent flesh
穿透性的肉


Mythological flesh
神話裡的肉


Flesh of a puppet
布袋裡的肉


Flesh under my pen
我筆下的肉


A inching back to reality
回到真實一點


Thousand Character Classic
千字文篆刻計劃


Ebix

Step 1: Polish and Prepare

The first step of carving is to smooth the stone and its surface.
Use #600 sandpaper to grind up the surface, then move on to #1000, #1500, and #2000 for more detailed work. Add water intermittently during this process to help smooth out the texture. When the stone surface becomes very fine, use #3000 and #5000 sandpaper for final polish.The stone has become a seal. It is ready.


Step 2: Write, words carved in the bones and engraved in the heart

Good words are carved with sincerity to express positivity and to move the soul. Words below such caliber are not worthy to be passed on.


Step 3: Carve, to be bold and conscious

The most important part of carving a seal is knife work. Be bold and stay conscious. There are many methods of carving; listen to your mind and channel your thoughts through the motion of your hands. See the engraving slowly emerge on the 1 inch square seal.  Inhale, exhale. Listen to the collapsing sound of carving.


Step 4: Check every stroke, every detail and make modifications

Be patient, check, examine and process every detail. Sand down the stubbornness, polish your merits, add in some personality, be well-read, be bold, stay patient, and work towards a positive result.

The process of carving is about self-fulfillment--it is mundane and requires self-discipline. Those who learn to inhale and exhale at ease can master the art of the carving.



 果珍李柰，菜重芥薑 (guo zhen li nai, cai zhong jie jiang) is a phrase from the Thousand Character Classic, a Chinese epic poem of exactly 1000 words; each word in the poem only appears once, composed in four line rhyming stanza structure. The classic is based on Confucius thought and narrates a range of topics, including astronomy, geography, social studies, history, ethics and governance of the family.

 The phrase 果珍李柰，菜重芥薑 literally translates as: the crab apple and the plum are the most precious of all fruit; the mustard leaf and ginger are the most important of all vegetables. The phrase points to the health benefits that plants can bring to a person’s life.


步驟一打磨拋光，旨在準備成石
篆刻的第一個步驟是打磨拋光石材。石材以及印面整理得夠好，才能成為一方兼具觀賞與實用價值的印石。研磨可以從600度砂紙進行粗磨，接著以1000度、1500度、2000度砂紙加水滋細潤磨表面刻痕，再以3000度、5000度將表面毛細孔磨至光滑。或施以青棒將印石外觀拋光。印石於此時呈現光透狀態。

步驟二撰寫印稿， 寫下刻骨銘心至誠之言
金玉良言對我來說，就是在印面上留下至誠肺腑之言。若非正向與撼動人心，不足刻矣。

步驟三篆刻，大膽下刀，細心修
篆刻的重頭戲就是在有限的空間裡，善用各種刀法，大刀闊斧，並且刀下留情收與放之間，端看治印之人隨心所欲。收放與氣息吐納相互搭配，必能刻出一方真情流露的印章。

步驟四鈐印，反覆印證，最終能修成正果
鈐蓋的目的在於反覆檢驗自己的刀法，一刀一刀修正；一點一點成熟。修成正果實在不是一件難事，只求耐心。

磨去頑固、拋光優點、注入性格、飽讀詩書、大刀闊斧、耐心修正、修成正果。篆刻之步驟，正如修行一般，平凡且充滿磨練。唯收放自如者，方能游刃有餘。

 果珍李柰，菜重芥薑是《千字文》裡的其中一句短語。《千字文》以儒家思想為主體，兼納天文地理、社會歷史及君子治家處身之道。是一篇由一千個不重複的漢字組成的一首四言長詩。暇瑕設定在今年內完成《千字文》的篆刻計畫。

 果珍李柰，菜重芥薑的白話解釋：在水果裡最珍貴的就是李子和柰子，而蔬菜裡最重要的就是芥菜和薑。兩句話表達了植物對人們生活健康的作用。


☯ Ebix
Ebix (Ebi Tsai)  devotes herself to practicing and promoting Chinese calligraphy and seal carving.

Her Chinese name 暇瑕, pronounced as xiá xiá, means perfect imperfection.

Life is meaningful when you embrace the imperfection of yourself. Beauty is created through experiencing life.
☯ 暇瑕
致力於推廣中國書法以及篆刻。並將其導入日常生活裡。
暇瑕取其perfect imperfection當成工作室的座右銘；
生活不需刻意追求完美，美感是由體驗生活產生的。

ebixcalligraphy.com


Hyper Dimension of Illusion
錯視超維度


Shark Lin




Self-cultivation is a process of exploring dimension of a specific topic. In the process, I accidentally step into a bottomless pit of mathematics, design, art, film, games, music, new media, and all the subversive fun of super-experiencing the world. There are always discoveries to be made every day.

修行是進行探索維度的一種過程，途中意外踏進無底洞，數學、設計、藝術、電影、遊戲、音樂、新媒體，無一不是超展世界想像的顛覆式樂趣，每天總有新鮮事。


☯ Shark Lin
Lin discovered the delight of mathematics one boring morning in middle school second grade, while attending a self-study class. Lin is currently involved in mathematics research, artistic creation, interviews, popular science writing and exhibition planning. Instead of studying math or learning art, Lin reflects upon various mathematical and artistic gestures from multiple perspectives, in hopes to bring some delight into the world.Lin’s math-art works have been exhibited at Stockholm Bridges (2018), IMAGINARY (2017), Pan Knowledge Festival (2016), On-site, Visual (2015、2016). Lin's curatorial projects include Dimension of Illusion (2018) , The Geometric Artworks of Wu Kyun Ying (2017) , Polyhedron Making (2017).

*Dimension of Illusion, an art exhibition curated by Shark Lin, will run until December 31st at EnterSpace, Taipei.

本名林家妤，在國二無聊的早自習意外發現數學的趣味，加上不介意讓人生超展開的緣故，因此有機會體驗數學研究、藝術創作、科普寫作、展覽策劃、資優教育等工作。

數學藝術作品曾在斯德哥爾摩Bridges（2018）、IMAGINARY超越無限 ‧ 數學印象特展（2017）、泛知識節（2016）、視覺混種（2015、2016）展出；策展經歷包括《錯視維度》、《轉幾 ‧ 轉積 ‧ 轉機》及《多面自造》。

*Shark Lin策劃的展覽《錯視維度》於台北密室逃脫 / 咖啡實驗室舉行，展至年底12月31日。